Unlike yesterday’s list, these movies did have something positive about them. Not enough to make me like any of them, but enough to keep me from screaming that I wanted my two hours back right after.
I appreciated that it made an attempt to fill in Fred Krueger’s backstory and even played with the idea of turning him into a sympathetic character. But then it wussed out Big Time and just remade the original.
I don’t have a high tolerance for romantic comedies, but this had a couple of things going for it. I love movies with large casts and intertwining plots (Playing by Heart and Crash, for instance ) and I like a lot of the people in this one (mostly folks from Alias and Grey’s Anatomy, and Anne Hathaway and Queen Latifah). But there was an unfortunate, anthology-like feel to it where – even though the stories connected – they weren’t consistent in tone or quality and I found myself wishing to skip past many of them, even when they featured a favorite actor.
I knew what I was getting into by going to see this, but there was nothing else going on at the theater that week. Two years ago, I was a big Gerard Butler fan, but with The Ugly Truth, Gamer, and Law Abiding Citizen he’s been working hard to fix that. On the other hand, while I don’t like a lot of romantic comedies, I do like certain things about them and The Bounty Hunter managed to push a couple of those buttons. Not creatively, mind you, but in that knee-jerk, “I like it when they do that” way. And Butler and Aniston are nice to look at. I have to take Jennifer Aniston in small doses, but this is the first thing I’ve seen her in since the last season of Friends.
This was the movie that killed 3D for me. It was murky and thanks to the 3D’s being added in post-production, those effects were lame and unnecessary. The story wasn’t much better. The scenes with the gods could’ve been left out with no effect on the plot and none of the actors looked like they were trying very hard. Also, if you’re going to throw in Bubo (not necessarily a great decision in the first place), don’t throw him in just to laugh at him. You’re only reminding us how silly this all is. What I did like though were the creature designs, some of the fights, and that Perseus didn’t end up with Andromeda. Though that last one is because there was no chemistry between the two of them and forcing a marriage at the end would’ve made the movie lamer still. I also think that Gemma Arterton makes a much prettier Burgess Meredith than Burgess Meredith did.
I expected to hate this, so it’s actually an upgrade to put it on today’s list. Travolta was absolutely grating in the trailers, but I was surprised to find him kind of funny in the movie. The plot didn’t make a whole lot of sense, but the movie tried some new things and I usually appreciate that.
I went to see this for one reason: Timothy Olyphant. And on that level, it didn’t disappoint. The rest of it though was a pretty trite – though effectively scary at times – horror movie with a lame ending.
Speaking of lame endings. They had me right up until then though. Butt-kicking Denzel and any kind of Mila Kunis will do that for you.
Yes, I liked this better than Clash of the Titans. What does that tell you? Well, for one thing, the 3D was infinitely better.
For another, Step Up 3D delivers exactly what it promises: hot people dancing and nothing else. It rips off the thousand other dance movies that came before it (“They’re going to tear down our hangout spot! We have to win the dance contest so we can save it!”), but I can’t decide if that’s laziness or a charming homage. I have to give the movie credit for meeting all its goals; it’s just that they set the bar so very, very low.
This was going to be a fascinating update of Frankenstein. It was headed in that direction and I even appreciated the creepy, “oh-they-went-too-far” scene for what it said about the characters and the Wrongness of the whole situation. But then the third act started and it all fell apart.
I laughed a lot harder at this one than I did at Dinner for Schmucks (“Hey, hey, yo, yo. I’ll be down in a minute. I’m having sex.”) and appreciated the Adventures in Babysitting-ness of it all, but I wanted to connect more with Steve Carell and Tina Fey’s characters than I did. Their worries about their marriage felt forced, which undermined them as characters and the plot in general.