Art Show: Would Someone Get This Big, Dapper Carpet Out of My Way?

A Journey to the Center of the Earth

Artist Unknown. [Golden Age Comic Book Stories, who’s got a ton of other great Classics Illustrated covers in the same post. Seriously, if you only click through one link today, this should be the one.]

Hawaiian Dancer

By Katie Shanahan. I just fell in love with her stuff a few days ago, so this post is going to be a bit Shanahan-centric.

Best Friends

By Hannah Christenson. [Art Jumble]

After the break: Batman, a warrior woman, Thor and Co., the Hulk, Daisy Kutter, Steampunk Star Wars, and Fett… Boba Fett.

Daughter of the Demon
 

By Neal Adams. [Golden Age Comic Book Stories]

Warrior Princess

By Katie Shanahan.

Tales of Asgard

By Olivier Coipel. [Giant-Size Marvel. As with all Art Show items, but especially with this one, click the pic to dei-size.]

Take it as it comes

By Tony Semedo.

Daisy Kutter

By Katie Shanahan. [If you haven’t read Kazu Kibuishi’s Daisy Kutter, you really should. It’s a great Space Western.

Victorian Star Wars

By Greg Peltz.

Carbonite is Forever

By Cliff Chiang. [I think I may have mentioned this one before, but it’s good enough to share again.]

Art Show: Walking Dynamite!

Adventure

By Franklin Booth [Golden Age Comic Book Stories]

Mermaid

By Abrams [Never Sea Land]

Tales of Three Planets

By Rog G Krenkel [Golden Age Comic Book Stories]

The Human Bomb

By Dan and Sy Barry. There’s a whole story that goes with it at Pappy’s Golden Age Comics Blogzine.

The Spectacular Super-Girls

Artist unknown. Peter Parker’s classmates from the Spectacular Spider-Man cartoon dressed as DC heroes though? Love it. [Brother Calvin]

Zatanna

By Danielle Corsetto. [Comic Art Fans]

Black Canary and Huntress

By Steve Bryant again.

Iron Man and Friends

By Mike Maihack.

Alternate Jabba

By Richard Whitters.

Nations all over the damn world

Action Girl Pulp of the Day

By Arnold Kohn.

Lost Women

Season Five cast photos have been released. You can see the guys too over at Grant Gould’s LJ.




Oops!

Kalinara picked up on something I totally missed when I mentioned the casting for the live-action Avatar movie. The Avatar heroes aren’t white.

The Evolution of Women in Fantasy Movies

AMC has a brief survey of the role of women as they’ve appeared in fantasy films, starting with Jason and the Argonauts and moving towards Stardust. It’s not a deep article, but their choices of representative films are interesting.

Whiteout

CBR has a couple of new stills from Kate Beckinsale’s Antarctic murder mystery, Whiteout. You gotta scroll past the Watchmen ones to get to them though.

The Reaping (2007)

I mentioned when I talked about The Orphanage that I usually find that stylish films are trying to hide a crap plot. That’s happened to me a lot, but I was really thinking about The Reaping when I wrote it.

It’s not completely fair to call The Reaping‘s plot “crap.” It’s actually really interesting up to a certain point. It’s a mystery story — why is this small town in Louisiana experiencing plagues like the ones in Exodus? — and as long as Hilary Swank is trying to figure it all out, it’s good. Like I also said in that Orphanage review, my favorite horror movies are actually mysteries, so The Reaping starts off on the right foot.

Spoilers below

Where it starts to come undone is the over-the-top solution to the mystery. Swank plays a former minister who’s lost her faith and now spends her time debunking “miracles” all over the world. So when she’s called in to explain what’s going on with the plagues in Haven, Louisiana, we’re not quite sure if this is going to be a supernatural story or one with a mundane explanation. That’s actually one of the cool elements of the mystery, but it works against the revelation. The movie tries so hard to stay grounded during the first couple of acts — and succeeds, even amongst rivers of blood and skydiving frogs — that when it goes all Omen and Rosemary’s Baby at the end, it’s jarring.

Even so, the movie manages to follow its own internal logic throughout, so I never felt betrayed by the revelation. Everything makes sense and flows out of what we’ve learned before, it’s just that it’s too much. It’s too supernatural.

I think The Reaping might would’ve worked better as a novel. It really is a fascinating story, but seeing the last act played out onscreen with a bunch of special effects turns it into a different kind of movie. If I’d had to create the last act in my head, I think I would’ve been into it more.

And it’s really too bad, ’cause I looooove Hilary Swank and she’s all serious and kick-ass in this movie. Really, really too bad.

Two out of five flesh-eating locusts.

Resident Evil: Extinction (2007)

Resident Evil: Extinction wasn’t at all like I imagined it would be. Considering the end of Apocalypse, I figured Extinction would be about Alice’s trying to overcome her Umbrella programming in order to avoid betraying her friends. Once she’d done that, I anticipated some cool guerilla tactics as Alice and company finally took the fight to Umbrella’s door. I got none of that.

Not that it’s a bad movie; it’s just completely different than I expected. Alice does overcome her programming, but she does it between movies. Extinction opens with her having left her pals in order to keep herself from harming them, but her will is already her own and she’s never rejoined them. She does rejoin some of them in Extinction, but I wanted to be able to see her break free of Umbrella’s control, so I’m disappointed. We get a taste of that as Umbrella momentarily regains control of her and she breaks free again, but it’s not enough.

And as for her taking the fight to Umbrella’s door… it looks like that’s what the next movie’ll be about.

What Extinction is is a post-apocalyptic horror flick. I compared Resident Evil to Aliens and Apocalypse to Escape from New York; Extinction is The Road Warrior. Some time between Apocalypse and Extinction the zombie virus got out of Umbrella’s control and took over the world. Plants, animals, and humans are all affected and the last living humans have taken to roving the resulting desert in caravans. Meanwhile, Umbrella has been driven completely underground and is desperately looking for a cure. Their best hope is with Dr. Isaacs, the evil scientist from the end of Apocalypse. In order for Isaacs’ cure to work though, he needs Alice, so Umbrella is scouring the globe looking for her.

Eventually, like I said before, Alice reconnects with her pals from Apocalypse who’ve joined one of those caravans and convinces them that a zombie-free haven exists in the Alaskan wilderness. The problem is that they’ll have to caravan through zombies and Umbrella soldiers alike to get there.

There’s a great scene where Alice is trying to convince the caravan’s leader Claire (Ali Larter) to take the risk and go to Alaska. Claire disagrees at first, looking at her ragtag followers and saying that they don’t need to get their hopes up. I love Carlos’ (Oded Fehr) response, which is something like, “That’s exactly what they do need.” It’s a simple truism, but it’s also profound when you really consider it.

Anyway, “Road Warrior with zombies” isn’t exactly what I was hoping for, but Extinction is still a good action movie and — as I predicted — it ends in a way that makes me anxious to see the next one. Please tell me I don’t have to wait until 2010 for it.

Three out of five zombie ravens.

Resident Evil: Apocalypse (2004)

I remembered liking Resident Evil: Apocalypse when I saw it in the theater, but I’d forgotten how much or even why. Having seen the original now, the Resident Evil franchise is becoming one of my favorites and Alice is definitely one of my top female butt-kickers. I’ll let you know if that’s still the case after I watch Resident Evil: Extinction this weekend, but I have high hopes.

I feel like I should sort of apologize for liking these movies, but you know what? Screw that. I don’t know why people pick on them. It’s not like you go see a Resident Evil movie expecting Schindler’s List. These are zombie action flicks, but they’re not dumb. The stunts and fight choreography are great, there’s a coherent plot connecting the films, they follow their own internal logic, and the characters are interesting and relatable (even especially superhuman Alice).

Apocalypse picks up right where Resident Evil left off. A little before, actually, since we get to see some of the events that led up to that last scene from Resident Evil and how the zombie infestation spread outside the Hive.

If Resident Evil was Aliens with zombies; this is Escape from New York. With zombies. In order to contain the out-of-control zombie virus, the Umbrella Corporation has locked down Racoon City and isn’t letting anyone out. Instead, they plan to use it as a testing ground for their zombie experiments; then nuke it when they’re done and claim it was an accident at the nuclear plant. The only thing is that the daughter of one of their top scientists is still trapped inside the city walls, so the scientist plugs into the city’s computer network to talk to Alice and some other folks also trapped inside. If they’ll rescue his daughter, he’ll arrange for them to get out before the bomb hits.

Complicating things is a continuation of the plot from the last movie where Alice learned about something called the Nemesis Project. We learn a lot more about it here because that’s one of the experiments that Umbrella is watching, and it’s a particularly nasty one. But Alice also has a connection to the Nemesis Project and we learn about that too.

The supporting cast in Apocalypse is better than the one in Resident Evil, which was pretty much just made up of military personnel, Alice, her partner, and the mysterious Matt. This time the military is represented by Oded Fehr (the best part of Stephen Sommers’ Mummy movies) with the other characters being a woman cop who’s conveniently just come off duty as an undercover prostitute and hasn’t had time to change, her buddy on the force, a TV reporter hoping to win an Emmy with her footage of the crisis, a minor-league street criminal, and of course the scientist’s daughter.

There are only a couple of things I didn’t care for in the movie. One is that Alice, who’s usually very sullen, is extraordinarily smiley with Oded Fehr. Maybe she’s just got the hots for him, but I never really understood why. He’s a handsome man, no doubt, but Alice doesn’t typically get schoolgirlish around handsome men. It felt like they were trying to force a romance angle into the story when one didn’t belong.

The other weird thing involves a SPOILER so skip this paragraph if you haven’t seen the movie. At then end, when the head Umbrella guy is trying to get Alice to obey him by threatening her friends, he kills the scientist dude instead. His rationale is something like, “This guy is valuable to me. If I’m willing to kill him, do you think I’ll spare your friends?” What I don’t get though is, wouldn’t the message have come across just as clear if he’d shot someone Alice actually cared about? Why shoot the valuable scientist? That’s stupid bad-guying. END SPOILER.

Like Resident Evil, this movie ends not exactly on a cliffhanger, but with some pretty serious stuff unresolved. In spite of the couple of goofy moments, I’m more excited than ever to see Extinction now, except that I expect it’ll end the same way and I’ll have to wait another three or so years for the next sequel.

Four out of five zombie schoolgirls.