Art Show: He’s Worth a Lot More to Me Played With

Monkey Island

By Otis Frampton.

Under the Sea

By Nino Carbe. [The Comics Reporter]

Oil Spill Aquaman

By Kate Beaton. You should hit that link and read the cartoon about the jester too. That one makes me LOL every time I read it.

After the break: Jack Torrance arrives at the Overlook Hotel and meets Wonder Woman, Isis, Cleo, Bender, Mysta of the Moon, and Buzz Fettyear.


The Shining

By Carlos Ramos. [/Film]

Wonder Woman

By JH Williams III [Robot 6]

Oh Mighty Isis!

By Gene Gonzales.

Cleopatra in Space

By Mike Maihack.

If Miyazaki Directed Futurama

By Boulet. [/Film]

Mysta of the Moon

By Joe Doolin. [Sleestak has a ton of these covers at his Flickr account.]

Buzz Fettyear

By Sillof, who’s created mash-ups of lots of other Pixar and Star Wars characters too.

Art Show: A Gaul No More!

Asterix the Viking

By Mike Hawthorne. [ComicTwart]

Red-Headed Pirate of the Caribbean

By Marc Davis. [Shad from Swing with Shad let me know that this Pirates of the Caribbean art is the inspiration for that Little Mermaid Pirate picture I re-posted from his site last month.]

After the break: speaking of mermaids; also some dinosaurs, Black Canary, Green Goblin, the Creeper, Medusa, and Wonder Woman.


Mermaids

By W Heath Robinson. [Golden Age Comic Book Stories]

By Edward Matthew Hale. [Never Sea Land]

So Long Ago

By E Boyd Smith. [Love in the Time of Chasmosaurs]

Black Canary

By Thomas Branch [Project: Rooftop]

Gobby

By Craig Wilson. [Art Jumble]

Villain

By Ryan Hungerford. [Art Jumble]

Greece

By Bill Presing.

Wondy

By John Allison.

Quotes of the Week: A Straight-Line Drawing Machine

“Face front, true believers! I can’t draw a straight line with a ruler and a straight-line drawing machine, which is why I hired artists to draw my comics! If you can’t draw, you should hire artists, too! Excelsior!”
Mike Sterling, predicting the entire text of Stan Lee’s How to Draw Comics.

Isn’t it instructive how Ben [Caldwell]’s work means that the [Wonder Woman] costume-before-JMS is transformed from cheesecake to something impressive, magical and appropriate?
–Colin from Too Busy Thinking About My Comics, pointing out that it’s not the costume; it’s the artist.

Art Show: Quickly, Old Chum! To the TARDIS!

The Escape

By Lorenzo Etherington.

Yoshied

By Vincent Bocognani. [Love in the Time of Chasmosaurs]

After the break: The Lone Ranger, Black Canary, Frankenstein, a witch, Wonder Woman, a giant robot, and Batmannin’ the TARDIS.


The Lone Ranger and Tonto

By Otis Frampton.

Black Canary

By Rafael Albuquerque. [Pink of the Ink]

By Kathryn Marusik.

Frankenstained Glass

Artist Unknown. [Brother Cal]

Dark of the Moon

By Al Hirschfeld. [Golden Age Comic Book Stories]

Old School Wonder Woman

By Lauren Montgomery. [Pink of the Ink]

Checking on the Patient

By Jeremy Vanhoozer.

Spacetime’s Finest

By Dean Trippe.

What’s Wrong with Wonder Woman (and How to Fix Her)

I thought about posting this MAD Wonder Woman parody under “Pass the Comics,” but it didn’t really fit with those two others and besides, I think there’s something more to say about it.

As Tom Spurgeon noted, it “nails the super-troubling parts of [Wonder Woman’s] appeal in a way it’s hard to shake.” And acknowledging that there are super-troubling parts makes me want to revisit my earlier, dismissive response to the current changes going on in her serialized adventures. While I still don’t really care what J Michael Straczynski does in his run with the character, I agree with many other commentators that it does reveal a lack of understanding about what makes the character tick and how to solve the problems that the MAD parody points out.

I wish I’d saved links to some of those comments, because they’ve stuck with me and I wish I could point you to them. For one of the best though, I’ll go back to Spurgeon again:

…why doesn’t [she] have an all-ages title? That seems to me like it would be more important than bouncing it up 20,000 readers on Mel Thompson’s charts. Wonder Woman is one of the few characters girls (and their parents) know. Wonder Tot is just sitting there waiting to have demented back-up adventures. Best of all, allowing multiple takes on the character outside of standard mainstream tropes and influences and the judgment of the CBR thread commenters might result in a way of looking at Wonder Woman that works for way more than 20,000 new readers.

He’s exactly right. Why isn’t there a Johnny DC Wonder Woman? Or, as Ben Caldwell would love to create, a Wonder Woman manga-style comic? Or both? In what way would that not be a fantastic idea?

Art Show: Never Too Many Cookes

Dragon-in-the-Box

By NC Wyeth. [Golden Age Comic Book Stories]

Red Sonja

By Darwyn Cooke. [Comic Art Fans]

I’m not so sure she’s a Federal Agent

Artist Unknown. [Golden Age Comic Book Stories]

After the break: Much more Darywn Cooke (including Black Canary, Death, Wonder Woman, and Padme). Also, an alien robot and an apocalyptic archer.


Black Canary

By Darwyn Cooke. [Comic Art Fans]

By Darwyn Cooke. [Comic Art Fans]

Death

By Darwyn Cooke. [Comic Art Fans]

Wonder Woman

By Darwyn Cooke. [Comic Art Fans]

Super Robot Alien

By Jeremy Vanhoozer, based on a Magna Doodle concept by his four-year-old son Aidan. So awesome.

I can see this guy hanging out with Thundarr and Kamandi

By Rudolph Belarski. [Golden Age Comic Book Stories]

Padme

By Darwyn Cooke. [Comic Art Fans]

Comics News Roundup: Wonder Woman’s Waterloo?

The Return of Billy the Kid’s Old Timey Oddities

I’m a big fan of both Eric Powell (The Goon) and Kyle Hotz (The Hood, Criminal Macabre), so it was no surprise that I enjoyed their collaboration, Billy the Kid’s Old Timey Oddities, in which Billy teams up with a traveling freak show to fight Dr. Frankenstein and his foul creations. Now they’re teaming up again to fight Jack the Ripper.

Pulp Comics and DC’s First Wave

The Comics Journal has an excellent write-up about Pulp Hero comics in general and DC’s First Wave project in particular. In Part One, writer Alex Boney presents a quick history of Pulp Hero comics and the troubles they’ve had finding traction with superhero fans. In Part Two, Boney looks at DC’s current revival endeavor with some hope and excitement about its potential, but some disappointment in its “delays and … general lack of focus.” These are problems that also plague superhero comics, but they’re especially troublesome when your genre is already a less popular one.

After the break: Hey, what about this whole Wonder Woman curfuffle? Also, SLG’s new Oz comic.


Wonder Woman changes

So, the big Wonder Woman news is that she’s getting a new look and a new reboot. Most of the opinions I’m reading are more focused on the look, but that doesn’t concern me as much. I like the traditional Wonder Woman costume, but I’m not married to it and I don’t mind shaking things up a bit visually. I agree with Lynda Carter when she says, “Wonder Woman has a mind of her own. And I think she was just kind of ready for something new. She’s got an attitude and if this is the new thing that she wants to wear, well, by God, she’s going to wear it. And I like that. And I hope that in the story someone mentions, ‘Where’s the old one?’ And she says, ‘Get over it!'”

The thing is though, that she’s never going to get to respond that way to that question. While everyone’s focusing on the costume, they’re largely ignoring the more troubling announcement that new writer J Michael Straczynski is going to be changing Wonder Woman’s timeline … again. However, even in this, there’s hope:

The Gods, for reasons of their own but which may have something to do with their survival and perhaps the survival of Earth itself, have changed the timeline. In the new timeline, years ago the Gods removed their protection from Paradise Island, and left it vulnerable to attack. And attacked it was. Led by a dark figure, a veritable army descended upon the Island, equipped with weapons that could kill even the Amazons. Outgunned, doomed, Hippolyta gave over her three-year-old daughter to a handful of guardians who spirited her away as Hippolyta led one last desperate battle against the forces that had come to destroy all she had created. In that final battle, she and most of the Amazons were killed, though some managed to escape.

It’s now nearly twenty years later. Diana has been raised in an urban setting, but with a foot in both worlds. She has little or no memory of the other timeline. She knows only what she’s been told by those who raised her. On the run, hunted, she must try to survive, help the other refugee Amazons escape the army that is still after them, discover who destroyed Paradise Island and why…and if the timeline can be corrected or not. She also does not yet have access to her full powers, but will be gaining them as she goes. Along the way, she will face a range of enemies — human and otherwise — who we have not seen before.

The bit about seeing if the timeline can be corrected leads me to believe that it eventually will be. If this was another major reboot of the character a la George Perez’s in the ’80s, I’d be worried. I’d be right there with the Robot 6 commenters who wondered what this was going to do to the Wonder Girls as well as Wonder Woman’s recently renewed status as a JLA founder. But reading closely, this sounds like a temporary change used to tell a specific story. It’s not a story I’m interested in reading (just like Straczynski’s one about Superman’s walking tour), but I can at least look forward to the next writer’s telling one that I will. [Robot 6]

The Royal Historian of Oz

First issue’s only a buck! I’m typically skeptical of Oz sequels, but I like the premise of this. A young man named Frank wishes that his writer father would author something original, but Dad sees himself as the “Royal Historian of Oz” and insists on just writing sequels to the original Frank’s (Baum, that is) stories. As it turns out though, Oz actually exists. When Dad does something to offend its citizens, particularly the axe-wielding Tin-Man and the ghost of the Wicked Witch, it’s up to Frank to save the day.

Movie News Roundup: Yoda Died Today

EDITED TO ADD: Frank Oz did not die today. I’m sorry to those of you I scared. I totally wasn’t thinking that my headline might be misinterpreted that way.

The American trailer

The Anton Corbijn spy movie starring George Clooney looks really good. I especially love the setting of the little village on the Mediterranean.

After the break: Green Hornet, giant spiders, Conan, Wonder Woman, Oz, and Star Wars.


The Green Hornet trailer

I know nothing about the Green Hornet (except for that one crossover with Adam West’s Batman), so I don’t care much about faithfulness. I’d love to see a hardcore, faithful Hero Pulp movie, but I’m not sure that Green Hornet is the character for that. I keep hearing about a possible Shadow movie by Sam Raimi, so that’s where my hopes are. This one just looks like a lot of fun and I’m okay with that. [/Film]

Giant Iraqi camel spiders finally get their own movie

And that movie is Extraction. Undead Backbrain has the details. I hate and fear big, nasty spiders the way my son and Calvin do cephalopods, so I’m counting on bad effects making these beasties look fake enough that I’ll be able to watch the movie without freaking out.

Here’s Conan!

I’m still really nervous about the story for the new Conan movie, but Jason Momoa sure does look the part. [/Film]

Wonder Woman villain input

Thanks to everyone who provided feedback on who would make the best villain in a Wonder Woman movie, both here and at Amazon Princess. Since this wasn’t a strict poll, a few people offered multiple suggestions, but it came down more or less equally to Ares and Cheetah.

I didn’t like the Ares idea at first until someone suggested that he could be the behind-the-scenes villain in the first film, manipulating other villains until Wonder Woman has to battle him directly later in the series. I’d still like to see Wonder Woman’s first villain be someone who threatens her power as a role-model and I can see how Cheetah could be used for that, but it makes sense that Ares is actually the one pulling Cheetah’s strings.

Yet another Oz movie

Add a fourth Wizard of Oz movie to the pile. This one’s an animated sequel with an all-star cast of voice actors that includes Glee‘s Lea Michele as Dorothy, Dan Akroyd as the Scarecrow, Kelsey Grammer as the Tin Man, and Jim Belushi as the (formerly Cowardly) Lion. Martin Short and Oliver Platt (and of course Patrick Stewart) have also been announced for roles.

Star Wars with David

I’ve been introducing my eight-year-old son to Star Wars and talking about it on Facebook. If you’re a Facebooky kind of person, I hope you’ll come check it out. It’s been a lot of fun.

Art Show: Wish I Could Loot Part of Your World

The Little Merpirate

Artist Unknown. [Swing with Shad]

People of the Golden Atom

By Frank R Paul. [Golden Age Comic Book Stories]

Black Canary

By Shane Glines. [Pink of the Ink]

After the break: The Terrible Trio, Wonder Woman, Wonder Girl, Medusa, and Things from Space


The Terrible Trio

By Dennis Culver. [Robot 6]

Wonder Woman

By Adam Hughes.

By Chantal El-Bikai.

Wonder Girl

By Mike Allred. [Comic Art Community]

Barefoot Medusa

By Ronnie Del Carmen. [Kirby-Vision]

Blue Space Ship

Artist Unknown. [Brandon Graham]

Proxima Centauri

By Howard V Brown. [Golden Age Comic Book Stories]

Who should be the villain in a Wonder Woman movie?

I was going to just post this at Amazon Princess, but I don’t get notified about comments over there and I’m curious to hear other people’s thoughts about it. So I’m cross-posting it here too.

I’ve mostly been ignoring Jennifer Love Hewitt’s campaign to star in a Wonder Woman movie. Just like I’ve blown off the rumors and campaigns of people like Jessica Biel, Megan Fox, and Beyonce. It’s just not worth having an opinion about until it looks like it might actually happen.

But Nicolas Winding Refn’s interest in directing a Wonder Woman is different because he’s talking about the kind of story he’d like to tell. I always find it interesting to hear people’s takes on what makes Wonder Woman tick and what a good story about her should include.

Refn says that his take would be non-violent (in contrast to the recent, animated Wonder Woman film) and would start from “the whole idea of a woman who is basically more powerful than any man – and who will always be that, and comes from a society of women who are more powerful than men.” He adds that that’s “an interesting theme that I think can be very contemporary.” Absolutely it can, and I’m interested in seeing him explore it.

I also agree with him that one of the biggest challenges in making a Wonder Woman movie is finding the right villain. He thinks a lot about Christopher Nolan’s Batman movies and what made them successful:

You need a great, extravagant, marketable action film — and everything that comes with it. But I think that when Christopher Nolan did the Batman movies, I think he very cleverly went back to the source material and took themes that had maybe not been exercised. And he was able to make very good and successful films with them. So I think the audience is very much out there. It’s just how you do it. And I think that some of the films that have worked over the years have worked for different reasons than people sometimes think they do.

And where Wonder Woman on one hand is a great female character who can be included in many great fight scenes, she doesn’t have great villains against her. OK, so you create some. She doesn’t have a Joker or those classic Batman kinds of guys.

…you have to create a great countervillain to her … The trick with Wonder Woman is to find that antagonist who worked so well in the Batman concept — his villains are equally if not more exciting than Batman himself. Here, it’s basically coming up with who would be a great counterpart to Wonder Woman. Is it her mother who’s the real enemy? Something that’s biblical in a sense.

I’m nervous about the idea of creating a villain specifically for the movie. It could be awesome or completely lame. Maybe it’s the way to go, but I’d feel more comfortable knowing that the bad guy was tethered to the comics in some way. The question is: what kind of bad guy does a Wonder Woman movie need and is there anyone in the comics who fits that role?

If I was writing the movie, I’d want to focus on Wonder Woman’s status as a role-model for women. Since the defeat of the Nazis, her most potent mission in Man’s World has been demonstrating the potential that women have to be powerful and confident. Not shoving her power down male throats, because frankly that’s not going to teach anyone anything. Wonder Woman’s greatest power is to inspire women to find the power in themselves.

So Wonder Woman’s villain needs to be someone who threatens her ability to do that. I’m not sure who that is – and that’s where I’d love to hear some thoughts from you guys – but it needs to happen in a way that’s personal to Wonder Woman and grounded in the real world.

Or am I completely off base? Should Wonder Woman instead be trying to prevent Ares’ starting WWIII? Should she defend Paradise Island against a contemporary Hercules? Should she try to prevent an Amazon invasion of Man’s World? Should she just battle giant robot scorpions? Or is Circe or Cheetah or Dr. Poison the way to go? (Ooh, Cheetah… I just gave myself a chill thinking about how cool a movie version of Cheetah could be.) What do you think?